Sneak Peek Extract:

KNUCKLEBONES by Marni Scofidio 

Now available for pre-order.

At first Clary didn’t recognise her surroundings, half-painted by moonlight, half by sodium. She had fallen asleep by the lounge window; the sun had kipped up hours ago.

Felix! She checked her mobile. No messages. Had something gone wrong? Note to self: must stop watching all those true crime programmes on Quest.

She had started to dial when the mobile pinged, an incoming text message she could read by the light of the sodium outside. don’t worry cariad taid thought you needed a rest so we’ll keep felix tonight unless we hear from you. love you more than all the stars in the sky. xxx

Clary smiled, licked her dry lips. Mum—typical English teacher— must be the one person left in the world who didn’t text phonetically. She hit lock and shoved the mobile into her pocket. She shivered, her skin painful with goosebumps.

She needed a change of clothes, something warm. But of course, it was all packed, and her body felt stuffed with concrete. Clary staggered to her feet, jerking like a marionette, her head pounding. A big glass of cold water and three paracetamols, that’ll sort me out. But she had no idea where the paracetamol was. She managed to drag herself all the way into the kitchen before she remembered the water was off. Had she missed the Tai Ffrynt plumber? They might think her a timewaster and not send anyone out now until Monday.

Bottles. Bottles of water in my handbag. And paracetamol. She ruffled through the bag. Damn thing was so big, the black leather interior made finding things impossible. A plastic bag containing bottles of water should be locatable by feel. The supermarket bag she’d packed was not in her handbag.

Clary didn’t even like water, but knowing she couldn’t have any made her want it more. She lay on the couch, sweaty yet barbed with chill, teeth on edge, burning up.

Outside and inside, nothing. No hum of traffic, no bass lines, no insects; not even seagulls. The building’s location a few yards away from a roundabout meant there should at least be the occasional car. But there was no sound at all.

I’ve never lived anywhere so quiet in my life. This must be what it’s like to be dead.

She shifted on the couch and pulled her knees up to her aching belly. Somewhere, above or below her, she couldn’t tell, a clock chimed the hour. One, two, three, four . . . seven, eight, nine . . . eleven o’clock. 11.00 p.m. They’d all be asleep at her mum’s. She couldn’t wake them up just because she felt a bit flu-y.

A full moon, fat and sanguine, looked about to roll off the black slope of Tan-y-Gopa. The harsh rasp of her breath caught in her throat, rattled in her chest. She hated noise, but it was preferable to this kind of quiet, the quiet of cemeteries and crems.

And as if in answer to her thought, the first footstep fell. From below, ascending. Slow and dragging. No ring or aggressive staccato tap of high-heels. She heard the footsteps turn the corner of a downstairs landing, rise towards her flat.

Had she given her mother the spare key? She couldn’t remember.

Her cracked lips parted but no sound came out. Up another staircase feet plodded, relentless. The banister groaned as a hand clutched it; the footsteps rounded another landing.


But there was only one landing that led to her flat. The new flat.

Mum, is that you?

More steps, more stairs, two more landings. A floorboard creaked.

Someone inside the flat. Someone who hesitated on the threshold.

She shut her eyes. Maybe she could imagine it away. Breathing in the room, ragged, wet, said no.

She opened her eyes, and gasped. She was not in her new flat; it was the old one. She could just make out a dark shape, hulked in the lounge doorway. Moonlight fell on a dress pattern, dark and viscous, as two square hands kneaded the sodden material. Then a deep voice groaned, creaky, as if not often in use.

Help me.

Clary tried to shout. Her throat rasped with the effort. Stay back. You just stay back.

Help me. Don’t want to hurt you. Need help.

How did you get in?

The white hands twisted and turned. Please, it’s my mother. She won’t wake up. I’ve shook her and shook her and she just won’t wake up.

The figure shambled into the patch of moonlight. It dripped on the carpet. Its hands and dress disappeared into gloom. Lank grey hair framed a candle-yellow face that hung as if disembodied, open idiot mouth filled with blood. The left eye so pale it seemed all white, no iris. The head caved into a red sodden mess where the right eye should be.

Him. Him. Why was he in a dress? Why did he babble about his mother when he’d once said that his mother had been dead for years?

She was back in the old flat in the Kinmel Estate. On the couch, the window behind her open, blown by wind and rain.

As he shambled towards her she shouted at him but her voice had gone. Then he reached the patch of moonlight, and brought up his hands again, and she saw that he held Felix in his arms, and her voice returned, scream after scream that rasped her throat and woke her up.

The doorbell shrieked. Clary jerked up on the couch; a flailing limb knocked over the picture frame on the coffee table. The room was still dark, though afternoon sunshine laced through the soaped window and the open light. No one stood in the lounge doorway.

Clary’s handbag lay fallen open by the couch. Two bottles of water and a bag of microwave rice poked out of the supermarket bag inside. Beside it was her mobile. She checked the messages: nothing. No text from her mother.

She picked up the picture frame. A large crack in the glass split her and Felix; a long shard of glass fell out of the frame. Best wrap it in some newspaper before she cut herself. Clary wrapped all of it, glass and frame, in a sports page from the Ffrynt Voice and put it back in the box she’d brought it in. She’d get the glass replaced before her mum saw she’d broken it.

The doorbell shrilled again, over and over, insistent. Not like Anita. Her mum knew with Felix it sometimes took Clary a few moments to get to the door.

But Clary didn’t have Felix.

Maybe something had happened to them. Maybe it was the police.

‘Can’t be the police, stupid,’ she told the panic voice. ‘How would they get in the front door?’ Fuck off, panic voice. You gave your mum the spare key and forgot.

Clary ran to the front door and threw it open. She expected to see Anita, cradling Felix like the best present in the world.

Now available for pre-order.

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